Eduardo Carrillo: Within a Cultural Context

Explores the artist's place in contemporary art history with imagery inspired by his ancestral Mexican heritage.

Exhibited from August 22 2009-November 22 2009

Eduardo Carrillo: Within a Cultural Context describes the artist’s place in contemporary art history. His imagery is inspired by his ancestral Mexican heritage and imbued with the language of his time. With an emphasis on the figurative work his deeply personal and quietly contemplative smaller portraits contrast sharply with his resonantly colored and dramatically themed large-scale oils on canvas and panels. Relationships are studied and mythic stories explored while complex spatial ideas are worked out across the two-dimensional world of the painting.

Included in this exhibition will be the work of Phe Ruiz, recipient of the 2006 Eduardo Carrillo Prize in Painting.

Eduardo Carrillo, Los Tropicanas, 1972-3, Oil on canvas

Eduardo Carrillo, Leda, 1996, Oil on canvas. Collection of Alison Carrillo

Meet the Artist

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Artist

Eduardo Carrillo

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In the News

"He expressed his culture through its history; he painted allegories, he painted grace and greatness in the people of his race and ultimately the human race. In 1966 he founded El Centro de Arte Regional in his father's birthplace in La Paz, Baja, teaching and exhibiting regional crafts and acting as the center's first director."

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"The accompanying educational programs and publication will share with a wider audience the life and impact of Eduardo Carrillo, an internationally renowned painter and muralist. We are most grateful for the interest and generosity of many collectors who have shared Eduardo's work and to the many donors who generously provided resources to accomplish our goal through the efforts of Susan Hillhouse, Curator of Exhibitions and Collections at the Museum and Betsy Andersen at Museo Eduardo Carrillo."

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"The cinematic painting “Las Tropicanas” (1972–73) marks the achievement of Carrillo’s mature style and content, uniquely synthesizing multiple sources, including the paintings he studied closely at the Prado."

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